
I always find it interesting to see how people work. It's one of the reasons I love getting into people's sketchbooks. This is how most of my commissioned stuff (i.e. the art that has to be planned and isn't a happy accident) happens. A lot of my commissioned work is done digitally so I don't have all of these stages on hand, but I did this piece in colored pencil for an upcoming issue of Dark Valentine Magazine, so I actually have examples for the process.
- There's an initial idea sketch. Sometimes its in a sketchbook, but a lot of the time I do mine at work when I should be doing something else (and they end up sketched on whatever is at hand) . These are messy, and are just an opportunity for me to work out basic composition and rough out some of the details
- I like to scan the original sketch into Photoshop and use the program to do rough edits. Its easier to manipulate things like scale in PS and I don't have to re-draw the prep sketch a million times. Here you can see I wanted the woman to be a lot more voluptuous, I added in the snakey border, and put the man in a suit instead of having him nude. At this point I also adjust the levels so that the lines are nice and dark. This is important for the next step.
- If I'm working on a relatively small scale, like with this piece, I just print the prep-work out at the final size and using a light box (which I don't have, so 'light box' means 'paper taped to a bright window') I roughly trace the design onto the final paper. Adjustments to pose, proportion and details are finalized and then I execute the work in the chosen medium.











